Felix Oppen | Graphic Designer | tiliquapress.com
We live in a world full of things that we can see, touch, hear, smell and taste. A world of solidity and, well reality. But what if it were all an illusion, an imaginary world? Would this be useful or helpful to you as a designer? Felix Oppen suggests that it just might.
Emma Cormick | Interior Designer/interior architect | emmacormick.com
Switching from one industry to another can be a daunting thought for a lot of us but for some the feeling in their gut to make that change overrides all that fear. But making this change doesn’t always have to feel like this fear-inducing act, sometimes it just feels like the natural thing to do.
Like most people designers live some place, work some place and visit a host of other places for the various other needs of their lives. Some designers, architects and interior designers for example, create places for not only themselves but for other people too. In the end though all designers, and most people for that matter, give consideration to, at least, the place where they work and where they live.
Nina Drakalovic and Rebecca Lourey | ustwo.com
When a design festival publishes a theme and invites contributions the simple option for participants is to look at what they have done, and talk about that. The more challenging route is to take that theme and attempt something new, to look forward rather than backwards. Digital agency ustwo decided to take the theme of this year’s Sydney Design Festival as a springboard to look forward and be challenged by addressing the needs of some extreme users.
Two sisters. Twins no less. Both very creative. Both with the same history of interests but both expressing themselves in different creative fields. Ligature Journal caught up with jewellery designer Sally Leung and illustrator Stellar Leuna to find out what makes them tick.
It’s no secret that the people of Australia come from nearly 200 countries and represent more than 300 ethnic ancestries. Whether you were born here or had at least one parent born overseas, you are not only influenced by the place you live in but also by the place that your parents had once called home.
Jane Connory | Designer/Educator/National Head of Communications DIA
As Jane Connory says in her opening sentence the Venice Biennale is a feast for all five senses. However, nine words set inconsistently in a number of typefaces, five in Italian and four in English repeated ad nauseum present a serious inhibitor to one of those senses, touch.
Arthur Koutoulas | Interior Design Consultant
Each and every material has its own unique finish, inherent colour and texture. In commercial interiors your selection of materials is driven by the concept/scheme and whether it is fit for purpose. The material is the physical link to the environment and is the tangible link to telling a story. The material gives the environment depth, texture and layers. The material is the physical manifestation of the vision. It allows the user to touch!
Eliza McAlister | Design in Fashion & Textiles, Creative Intelligence & Innovation
Plastics have dominated the consumer marketplace since their commercial development in the 1930s and today the extensive use of plastics is well established in western civilisation. Plastics are ubiquitous in industry and have properties that make them desirable in the production of a range of products. While plastics have had a substantial impact on all areas of society they have also been detrimental to the environment. One significant area of concern is the invisibility of plastics which have now become inconspicuous as everyday products. To raise awareness of how plastics touch all areas of society it is essential to increase empathy for the victims of plastic pollution, raise awareness and encourage consumers to influence governments and business.
Kevin Finn | Graphic Designer
Keeping things simple sounds so easy. But it’s not. It’s incredibly difficult to achieve successfully, and it can be even harder to maintain over the long-term. Oftentimes, simplicity is dismissed as being obvious. We assess the outcome and judge the results as something a child could do, equating ‘simplicity’ with ‘easy’. But that undervalues simplicity and overlooks the process.